Radio appearance: KPFK’s “Feminist Magazine”

I’ll be on the air with KPFK radio tomorrow night, participating in their fall fundraising drive and appearing on Feminist Magazine, which airs from 7-8PM Pacific every Wednesday. They’ve even got a little CD of some of my talks (versions of my most popular posts) that’s part of their “premium package.”

Here’s the blurb from the show’s Myspace page:

This rare edition of “Feminist Magazine” is NOT FOR MEN ONLY: it’s for ALL of us who want to work together for gender justice and a transformed world. We’re talking with Hugo Schwyzer and Jackson Katz who are committed to eradicating sexism –and all other social and political inequalities. And we’re calling on YOU –the men and boys in our audience and all the people who love you — to open your minds and hearts –and wallets!

Pioneering History and Gender Studies Professor Hugo Schwyzer, a “stand-up” instead of a “stand-by guy”, takes on men’s roles within feminist movements as they “Step Up, Step Back” and address “Men, Women and Anger”. Jackson Katz, internationally recognized for his ground breaking work in gender violence prevention with men and boys, describes his seminal book “The Macho Paradox: Why Some Men Hurt Women and How All Men Can Help”, and his award winning educational video “Tough Guise: Violence, Media and the Crisis in Masculinity.” And, we’ll feature ‘Guyland: The Perilous World Where Boys Become Men,’ by Dr. Michael Kimmel one of our leading researchers and writers on men and masculinity.

The books, video, and Schwyzer’s CD are available as thank you gifts in exchange for your pledge to support KPFK.

Sooooo —–Tune in to Pacifica Radio-KPFK’s “Feminist Magazine” with your hosts Ariana Manov and Melissa Chiprin- this Wednesday, October 13, at 7 PM (PDT). Heard in Los Angeles 90.7 FM, 98.7 FM in Santa Barbara and streaming live and archived at kpfk.org

Gather ye rosebuds: the Onion spoofs the good man crisis

A couple of people sent me the link last week to this hilarious Onion News Network video: Obama Releases 500,000 men from the National Strategic Bachelor Reserve. (You’ll need to watch a very short ad first before the two-minute spoof starts. There is mild profanity within the video as well.) The report speaks of an “Eligible Male Task Force” designed to combat the critical shortage of “Men who are Looking for Something Serious,” and the graphics are splendid. (There’s even a subtle jab at Henry Waxman, my splendid congressman). Watch it all twice.

It’s been nearly a quarter-century since the “man shortage” became a topic of national media hype. The genesis of the scare was a single Newsweek article from June 1986: Too Late for Prince Charming?

The traumatic news came buried in an arid demographic study titled, innocently enough, “Marriage Patterns in the United States.” But the dire statistics confirmed what everybody suspected all along: that many women who seem to have it all—good looks and good jobs, advanced degrees and high salaries—will never have mates. According to the report, white, college-educated women born in the mid-’50s who are still single at 30 have only a 20 percent chance of marrying. By the age of 35 the odds drop to 5 percent. Forty-year-olds are more likely to be killed by a terrorist: they have a minuscule 2.6 percent probability of tying the knot.

That whopping bit of hyperbole in bold (as if there’s ever been a 2.6% chance of being killed by a terrorist) became the “killer quote” that drove the whole discussion. Even when the report (as well as the rhetorical overkill about it) was debunked, the fears that the Elaine Salholz article aroused remained. Nearly 25 years later, I still occasionally hear people use that “greater chance of being killed by a terrorist than meeting a good guy” trope.

The most savvy exploiters of the fears the Salholz piece aroused were social conservatives, who saw the chance to blame feminism for the “problem.” Women, right-wingers argued, needed to honor immutable biological truths, starting with the fact that both their fertility and their desirability peak in their late teens and early twenties. Rather than being misled by feminists into focusing on education and career, young women should leverage their sexual and reproductive power when it is at its maximum, while they can still “land a good man.” (Robert Herrick, call your office.) The conservative message was simple: focusing on career and personal fulfillment when you’re young in the expectation of easily finding a man when you’re ready to settle down was a recipe for heartache and loneliness. The feminists are lying to you, the far right said; we’re telling you the truth. Look at the facts.

Except the facts didn’t turn out to be true, as countless follow-up reports on the “marriage crunch” demonstrated. The marriage crunch, if it exists as a problem at all, is found among those least likely to go to college. Those who have most successfully made use of feminism’s promise are more likely to wed (and have children after marriage rather than before) than their poorer sisters. Even the social conservatives have changed their tune, pointing out that the marriage culture is thriving among urban liberal “elites” while it falls apart among the white and non-white urban and rural working classes. (This time, it’s feminism’s fault for making working-class men without college educations feel useless and unappreciated. The villain always remains the same.) Continue reading

Farewell to the Timeses

Today, I canceled our newspaper subscriptions.

For years, my wife and I have received both the New York and the Los Angeles Times seven days a week. Indeed, I’ve subscribed to the latter paper since I moved to L.A. 21 years ago. Before that, when I lived in the Bay Area as a college student, I made sure my co-op got copies of the “paper of record” as well as the San Francisco Chronicle. (I read them both every day.) Growing up, we took the Monterey Herald, going back to the days when it was an afternoon rather than a morning paper. (I briefly worked as a delivery boy when I was in fifth grade.)

I love the feel of newsprint in my hands. From a sensory perspective, I’d rather read the actual paper than visit a website. I like the smell and the texture — and yes, I even am rather fond of the inkstains. Newspapers also connect me to my childhood. All of the adults of my childhood read newspapers. Heck, I learned to read in part by struggling to read the Herald as a child in the early 1970s. And I’ve often thought that if I hadn’t gone into teaching, and hadn’t pursued the whoppingly absurd dream of becoming a priest, I might well have sought a career in journalism.

For months now, the papers have been stacking up, unread. I leave the house so early these days (usually by 6:00AM if not well before); the papers rarely arrive before 5:45. As a father and a husband with a long commute, an acute sense of duty, and a penchant for workaholism, I can’t find the time for more than a few minutes with the paper anyway. It seems such a waste of paper. After all, the same news is available online, and in a far more convenient fashion.

Since becoming a father, I’ve realized that I get most of my news from two sources: the BBC (I have Sirius Satellite Radio), the website for the New York Times (it’s my favorite news source), as well as sites for half a dozen other papers. I still get the stories I want, but I get them on my iPhone when I have a few precious minutes of quiet, or I listen in the car on the way to work. It’s all so much more convenient than reading the paper.

I’m quite happy to pay for access to quality news sites. Indeed, one reason I haven’t canceled the papers earlier is guilt over not doing my bit to subsidize responsible print journalism. I’m a blogger, and have become in my own way a fairly well-known one – and I’m damn clear that no blog run by an amateur is a substitute for the quality reporting of a journalistic professional. I want those journalists to make money. I want some trustworthy outfit to have full-time reporters in places like Kabul and Bangkok and Lagos, the sort of journalists who know the key players and have spent time and effort getting background information. But of course, papers like the LA Times have long since shut down most of their foreign bureaux. Many papers are no better than what passes for news on television these days. I have no interest in politicized infotainment. (These days, I watch sports and “Modern Family”, and that’s about it.)

I wanted Heloise to grow up seeing her parents read the paper. But I suspect that by the time my daughter is in high school, papers will have gone the way of LPs or rotary-dial phones. There are other ways to ensure that she engages early with our global community, and takes delight (as we hope she will) in being a well-informed citizen of the world. (Hell, she’s only sixteen months old and she already knows how to run her finger across my iPhone screen to scroll to the next pic in my photo album.) There’s no point in having trees cut down unnecessarily so that Heloise can have the same experience with her parents in the 2010s that I had with mine in the 1970s.

I may still pick up a paper at the coffee shop or the grocery store; I’ll certainly do so at airports. (One rarely is told by FAs that you newspapers need to be put away during landings and takeoffs, after all.) But after having had a daily paper on my front doorstep going back to my childhood, it’s time to say goodbye to an information delivery system that simply has no place in my day-to-day lifestyle. And time for folks like me to pony up cash to read quality journalism online.

We are always on the record: how the most interesting man in the world gets it very, very wrong

Driving to school on Monday morning, I passed a billboard on Robertson Boulevard. Part of the immensely tiresome “Most Interesting Man in the World” campaign for Dos Equis, a Mexican beer, the slogan on this particular sign read “The Bulk of Your Life Should Be Off the Record.”

I’ve loathed some of the Dos Equis slogans. The worst one so far features an image of the hirsute interesting man and the words “He wouldn’t be afraid to show his feminine side, if he had one.” My favorite: “At museums he’s allowed to touch the art.” Clearly designed to appeal to young men (though one suspects the boys most easily amused by this sophomoric humor are under legal drinking age in the USA), the Dos Equis campaign is typical of much modern advertising: it plays on young men’s longing for reliable, hyper-masculine father figures. The Most Interesting Man in the World dispenses something even more valuable than tips for how to get rich or get laid: he offers certainty about what it means to be a man. He is notable for a complete absence of self-doubt. Given that so many young men are crippled by the absence of mentors and a nearly paralyzing degree of uncertainty about their lives and their roles, the appeal of this sort of advertising is obvious.

But while most of the advice in the Dos Equis campaign is silly and puerile rather than truly misogynist, the suggestion that the bulk of one’s life should be off the record infuriated me.

At the very heart of what it means to be an adult — for those of you who like to gender everything, a man rather than a boy, a woman rather than a girl — is the commitment to matching one’s language and one’s life. To be a grown-up means to live with integrity; integrity literally means “wholeness” or “congruence.” Put another way, an adult lives his or her life as if they are always on the record, with no disconnect between public pronouncements and private practices.

This commitment to congruence doesn’t mean one speaks to toddlers the way one speaks to one’s lovers. It doesn’t mean one doesn’t save some behaviors for behind closed doors. To put it another way, the rest of the world doesn’t get to know what my wife and I do in the bedroom. The point is, if they were to find out or stumble in, they would see that how we connect intimately and privately is radically compatible with the public aspects of our lives.

The world needs grown-ups. And grown-ups know the shabbiness and the heartbreak of a life lived in compartments. They know that young people — and all of us, really — need role models whose words and actions match. And whether in the public eye or not, they’re always on the record.

UPDATE: I’m bumping this up from my comments as a response to those who think I’m taking this much too seriously:

As we all know, irony gets lost in translation (especially with American adolescents, who tend — despite their affected sophistication — to live in an irony-free zone). Think about the old Miller Light “Man Law” ads; the boys I knew in youth group adored them, quoted them, and, despite their awareness that the commercials were tongue-in-cheek,tended to take them very seriously.

All advertising is didactic. It teaches something, even as it flatters the audience into believing that they are in on the joke. That’s the thing about ads like this: they aren’t ironic. They appear to be; Dos Equis may want an urban educated audience to think “Hah, look at how we’re playing around with the problem of contemporary masculinity in a hyperbolic way”, but they know damn well that a substantial percentage of folks out there aren’t going to be able to do that kind of rapid meta-analysis. Particularly teens, who are always the target of alcohol ads, as they are the ones whose brand loyalties have yet to be firmly established.

And though I was never much of a beer drinker in my day, I drank a lot of Dos Equis in college. It was, for a long time, my favorite beer.

Men and the Work/Life balance: an upcoming radio program and campaign

I’m delighted to announce that I will be participating in Feminism 2.0′s first 2010 “Wake-Up” campaign, which kicks off next Monday. The summary:

Fem2.0 is kicking off the New Year with Wake Up, This Is the Reality!, a campaign to help change the way Americans talk and think about work and to begin shifting the national narrative away from privileged “balance” and corporate perspectives to one that reflects the reality on the ground for millions of Americans and American families.

On January 25, we will launch a two-week blog radio series on how work policies impact specific communities. That will be followed by a week-long blog carnival (Feb. 6-13) that will flood the public space with articles, opinions and personal stories about what it’s like to work in America today.

One week from today, on the 26th, I’ll be participating in the Work/Life and Men: Superman Versus Family Man radio show. Click on the hyperlink for more details on how to listen; there will be a podcast made available for subsequent download.

Details:

Tuesday, January 26, 1:00 PM EST

Host: Marc Chimes

Scott Coltrane, Dean, University of Oregon; Author, Gender and Families
Hugo Schwyzer, Blogger, hugoschwyzer.net
Joan Williams, Director, Center for WorkLife Law at University of California – Hastings

What does it take for a caring, responsible father to be both a breadwinner and a family man? If there is a work/family balance, it appears to depend on where you stand in the social order. Come investigate with our panel the daunting barriers working fathers face in sharing responsibilities in the household. Join with America’s leading experts as they discuss the problems, possibilities and policies surrounding fathers in the workplace.

Feminists getting married

Check out Amanda Marcotte’s marvelous summary/analysis of the fascinating coverage of Jessica Valenti’s recent wedding.

Yes, feminists get married. Once we have marriage equality, even more feminists will.

Best Amanda line: Because a happy, smiling feminist in a wedding dress drives sexists absolutely fucking nuts, because it deprives them of their favorite delusion, which is that feminism is the last resort for bitter, lonely women.

Bingo.

I Really Like Big Guys: “More to Love” and the desire to feel small

I wrote about More to Love, the Fox reality show, just over a month ago. One theme in more recent episodes (h/t Jenn Pozner) is that many of the plus-sized women on the show are attracted to large men who make them feel “small” and, presumably, more feminine. I wrote about that subject on November 29, 2006, and that post appears below.

I was talking to a female friend of mine yesterday; she’s just started dating a new fella, and the budding relationship appears promising. My friend is about 5’8″, and her new boyfriend is 6’5″. I knew her last boyfriend, who was her height — and so, as we chatted, I asked her if the height differential in this current relationship made a difference.

“Yes, I suppose it really does”, she said. “Being with a man so much taller and bigger makes me feel smaller, more feminine. Being in his arms feels wonderful because I feel the difference between us so much more than with Jack (her ex).”

My friend, who knows I teach feminism, asked “Do you think that makes me less of a feminist, wanting a man who can wrap me up and make me feel so feminine and protected?”

Almost from the start of 2006, the broad feminist blogosphere has been engaged in an intense period of self-criticism, culminating in October’s infamous “waxing wars.” I have no interest in reviving a lot of talk about feminist credentials. But my friend’s sense of delight in the size differential between her and her new guy — and her mild discomfort at what that delight might symbolize — is worth a post.

Of course, y’all know I’m going to share the inevitable personal anecdote. In college, I had a huge crush on a gal who lived in the same co-op as I did. She was my height (6’1″) and a broad-shouldered swimmer who had started her college career on an athletic scholarship but who had tired of the intensity of the competition. She was the consummate jock, and if I could be said to have a “type”, it was always the very athletic, tomboyish women. “Lisa” and I tried a romantic relationship, but it ended quickly; my interest in being more than friends exceeeded hers.

Lisa told me, even before we started dating, that she had doubts about our chances together: “I really like big guys”, she said; “I’m a tall strong girl and I like being with a man who makes me feel petite and feminine.” She liked dating tall linemen, and I was going through one of my “skinny stages”. I was already taking women’s studies classes at that point, and in order to make my case, I quite shamelessly used what I thought were sincere feminist tactics, saying something like:

“Lisa, you only want a stronger, bigger man, because you’ve been brainwashed by a sexist culture. You’ve been taught to be uncomfortable with yourself as a tall athletic woman, and so you want to be with an even bigger guy who can make you feel more traditional. You’re surrendering to the patriarchy!”

There might have been one or two grains of truth in what I was saying, but it was evident to both of us that my exhortation was colored less by a commitment to feminist principle and more by naked self-interest. And I had no reply when Lisa told me off, saying (and this I remember more vividly than my own words):

“Don’t be an asshole and assume that what I want stems from my oppression as a woman. If you were a real feminist man you would never try and channel my feelings and desires to serve your needs, and you’d never try and use feminism to guilt me into being with you.”

That was an uncomfortable “aha” moment, and it taught me an enduring lesson. Few things are more indefensible and pathetic than a self-proclaimed male feminist using the rhetoric of gender justice to try and “get” a woman to be attracted to him. Been there, did that, grew out of it. Continue reading

“More to Love” and the tentative broadening of male heterosexual desire

I hadn’t heard about the new Fox reality show, More to Love, until the beginning of the week, when a couple of students in my women’s history class asked me if I had any thoughts about it. I looked up the previews online, and read Samhita’s pre-show analysis at Feministing yesterday. Reluctantly, but in the vague hope that I might be pleasantly surprised, I watched the show last night.

Designed, as Fox claims, to be an “inspirational new series”, More to Love follows a 26 year-old former offensive lineman named Luke (whom we are reminded at every opportunity weighs over 300 pounds) as he chooses a mate from a group of heavy young women (ranging in age from early twenties to early thirties). It was painful to watch. The set-ups were of the sort familiar to anyone who has watched reality television, but the insecurity of so many of the young women involved was all too real. And that’s what was so monstrously infuriating to me; rather than being inspirational, More to Love simply disguised its cruelty behind a guise of compassion; exploitation masqueraded as empathy. The very real low self-esteem of at least some of the women involved was carefully emphasized, reinforcing the idea that a woman whose body mass exceeds the ideal has no real right to either happiness or self-confidence save that that might be bestowed through great good fortune and the magic of Fox television.

But not everyone judged the show as harshly. Kate Harding, a noted activist for fat acceptance, remarks that the show “does little to dispel the myth that fat people’s lives are built around dessert and desperation.” On the other hand, she’s encouraged that the show is willing to present heavy women as desirable:

For all the show’s flaws — and they are legion — and for all the obvious issues every show like this raises about the objectification of women, I couldn’t help being a little flabbergasted by seeing a real, live heterosexual man on television repeatedly extolling the hotness of these particular women, one of whom was wearing a dress I’m pretty sure I’ve tried on at Lane Bryant. Even if a portion of the audience is tuning in to point and laugh at the fatties — and let’s be real, they will be — the bachelor in question won’t be laughing with them. “Every girl in this mansion is totally my type,” Luke drools.

There’s plenty of excellent feminist criticism of the show appearing in the blogosphere this week, but what Kate says here resonated with me and helped me to rethink some (by no means all) of my initial response to More to Love. As awful as the format of the program was, Luke wasn’t presented as particularly odd for his stated interest in larger women. His interest was not framed as a fetish to be analyzed or mocked (there was enough mocking of the female contestants to take up much of the program). The show did imply that Luke’s taste was rare, which reinforced the notion that most men don’t find heavier-than-culturally-mandated-ideal women to be particularly desirable. But as Kate writes, the fact that Luke was there at all, unshamed for his stated preference, represents at least a tiny degree of progress.

It is almost impossible to overestimate the degree to which young heterosexual men’s desires are shaped by culture and by their peers. The homosocial principle makes it clear that young males measure their manhood in comparison to other men, whose approval matters more than that of women. In the homosocial equation, dating a thin/pretty/young woman is a way of signaling masculine cachet to other men; dating an older, plainer, or heavier woman will be read by other men as weakness. At its ugliest and most destructive, the culture of what Michael Kimmel calls “Guyland” is a culture in which women’s bodies are trophies to be displayed. If a fellow is genuinely attracted to women who are heavier than what his buddies or his culture declare is most desirable, he faces ridicule as a “chubby chaser” and for lacking the masculine chops to attract someone “hotter” (read = thinner.) If Luke is in any way rare, it is not in his preferences, which I think are quite common — it’s in the confidence that he has to make those desires known. To the extent that he represents the possibility that heterosexual male desire is broader than previously allowed, this is a good thing.

On the other hand, Luke himself is heavy, and I think that largely undercuts the potentially revolutionary aspect of the show. Of course, some heavy men are attracted to heavy women. But how much more radical might it have been to have a leaner man saying, as Luke did, “Every girl in this mansion is totally my type?” There’s an analogy to race here. Films and television programs showed people of the same race kissing years before they showed interracial romances. The “hot slender guy who is attracted to thicker women” barrier is yet uncrossed; a taboo remains in place. While men as well as women suffer from fat-phobia, we already have an extended cultural history of depicting overweight men as desirable. (Think how often, for example, folks tend to say publicly that Bill Clinton looked better when he had more meat on his bones.) What we don’t yet cop to — and what we all would benefit from seeing on television — is that one’s own weight is not in any particular way an indicator of one’s own desires.

In my own life, I’ve never had a particular physical type, having dated (and married) women across the spectrum of weight and height. My wife’s body, like the bodies of so many women, has been transformed by childbearing in the predictable way, a change that hasn’t had the slightest impact on my desire for her. (I ought to note that my own weight has crept up a bit, as the happy obligations of fatherhood have meant less time for working out.) But I’ve certainly sensed undeserved approbation come my way from other men when I’ve been with women who met the cultural ideal for beauty and thinness, and when I’ve been with women who deviated from that absurd standard, I’ve been on the receiving end of homosocial ridicule. I’m not alone in that.

In April 2006, I wrote a post on a similar subject: Men, Women, Homosociality and Weight. An excerpt:

For many American men raised to see women as a yardstick with which to measure their own masculinity quotient, a partner’s weight gain is going to be perceived as a very real threat to their own standing. We all know men who get turned on when they realize that their wives or girlfriends are objects of desire for other men. One key question we need to challenge men with: is your partner’s weight gain really turning you off, or are you worried about how other men are reacting to her as a result? Do you miss being able to use other men’s sexual desire as a crutch to stimulate your own libido?

Men are taught to find “hot” what other men find “hot.” The whole notion of a “trophy girlfriend” is based on the reality that a great many men use female desireability to establish status with other men. And in our current cultural climate where thinness is idealized, a slender partner is almost always going to be worth more than a heavy one. For men who have not yet extricated themselves from homosocial competition, their own self-esteem and sense of intra-male status may decline in direct proportion to their girlfriend’s weight gain.

Let me stress that this is absolutely not women’s problem to solve! My goal is not to make women who gain weight feel bad; protecting a fragile male ego is not a woman’s responsibility. The key thing men need to do is get honest about their own desire to use female desireability to establish status in the eyes of other men. And here’s where pro-feminist men can do a terrific service by challenging one another and holding each other accountable for the ways in which we are tempted to use our wives and girlfriends as trophies.

If Kate is right, there may well be one small redemptive aspect of More to Love. But though I’m heartened to see the potential for a new discussion about the ways in which culture shapes male desire, I’m not sure it’s worth the heartache and the humiliation we witnessed last night.

Can a feminist read Cosmo?

I’ve been asked the question that titles this post more than once.

Last week I posted this bit about women and the importance of saving money “just for themselves”. It’s one of those tips that I think young women in particular need to hear. Another tip I often give to my women’s studies students regards their consumption of media: if it’s too hard to subtract, add.

To state the obvious, there’s a lot of sexist, misogynistic media out there. Some of it is in the form of crude advertising aimed at men; much of it in the form of “women’s magazines” which focus on beauty and fashion. Television shows like “The Bachelorette” or “America’s Next Top Model”, magazines like “Vogue” or “Cosmopolitan”, movies like “The Ugly Truth” — all send a troubling message about gender, about appearance, and about the capacity of any of us to find enduring happiness outside of narrowly defined roles. It’s not worth reiterating all that’s upsetting and demoralizing about mainstream media’s portrayal of women. But though many of my students find these magazines and television programs and films to be troubling and damaging to their own sense of self-worth, many also find them hard to give up. Over and over again, I’ve heard my women’s studies students describe reading fashion magazines or watching sexist shows (or, increasingly, looking at mainstream pornography) as “guilty pleasures.” And as a feminist, I’m wary of that phrase.

Obviously, we want to work collectively to reshape the ways in which the media portrays women — and men. It’s a given, too, that every dollar we spend is a vote; buying magazines which promote a narrow definition of beauty, for example, rewards and encourages the publishers and the advertisers. To the extent that we exercise choices within our consumer-driven capitalist system, we are at least partly responsible for those choices. The magazines and movie tickets we buy and the websites we visit matter; our behavior is tracked by curious advertisers and marketers eager to know “what works.” They are already rewarded enough for their contempt for women; why give them more of our precious dollars?

On the other hand, the reality is a bit more nuanced. Many women’s magazines which reinforce a narrow and destructive beauty ideal also feature first-rate writing by women on a wide variety of feminist subjects; magazines like Glamour and Cosmopolitan have run serious pieces in recent years on reproductive rights and pay equity; Seventeen and Teen Vogue have addressed eating disorders and sexual harassment. Those articles get more readers than comparable pieces in the feminist media; indeed, it’s entirely plausible that many women first encounter serious feminist analysis (whether they realize that’s what it is or not) within the pages of magazines like these. Continue reading

The fathers were wrong: a response to Kathleen Parker about Walter Cronkite

I have little love for Kathleen Parker, author of Save the Males and the latest in a long line of conservative female pundits to sell books by suggesting that feminism has gone too far. But it would seem that there would be little to which to object in her piece yesterday paying tribute to the late Walter Cronkite. Clearly, what ended up in the Post was over or under-edited, as the piece jumps from a meditation on Cronkite’s comforting image to a discussion of whether or not his reporting on Vietnam ushered in an era of overt media bias. It’s a bit incoherent as printed, and was probably better as written.

But I don’t write much about the media. (As for Cronkite, I liked him, but ours was an ABC household; the favorite anchor of my childhood was Peter Reynolds, and I was always a big David Brinkley fan.) What I’m interested in is Parker’s reflection on Cronkite as a particular kind of male icon:

Our nostalgia for his passing isn’t only for the death of a familiar and mostly admired individual, but also for a certain kind of man — an iconic reminder of a time when fathers knew best and the media were on the home team.

He had the looks and voice of the sort of man one could trust for good directions. Nonthreatening and, it seemed, untempted by vanity, his prevailing affect was of seriousness and humility.

It is doubtless difficult in these post-metrosexual, celebrity-driven times to grasp the preference that Americans once held for people who weren’t “all that.” Male figures, also known nearly ubiquitously as “fathers,” were especially admired in those days for substance over style.

What’s so exasperating about Parker’s analysis is that she correlates Cronkite’s absence of vanity and consummate gravitas with his status as an icon of an era in which women were seen as frivolous and incapable of similar seriousness. Cronkite’s greatness lay in his professionalism, a quality entirely unrelated to his sex or to his absence of an intense curiosity about fashion. (Taking a wild guess, I’d say Kathleen Parker probably has an unhealthy and bizarre animus towards dear Anderson Cooper.) Cronkite, who mentored his successor Katie Couric (and was apparently far better disposed towards her than to Dan Rather) was by all accounts committed to greater inclusion for women in broadcast journalism; some have suggested that Cronkite’s behind-the-scenes influence led to Rather’s hasty departure and to the elevation of Couric to be the network’s first female anchor.

Cronkite’s bravest reporting, as Parker herself notes, came in his courageous willingness to expose our policy in Vietnam as disastrous; he had the guts to question the decisions that the “fathers” — presidents like Eisenhower and LBJ — had made in Southeast Asia. Rather than reinforcing the worshipful acquiescence to patriarchal authority that characterized so much of 1950s culture, Cronkite played a vital role in undermining that blind and unthinking trust that far too many Americans put in their national “father figures.” Vietnam showed Americans that fathers didn’t know best; Cronkite showed millions of Americans the truth about Vietnam, and in doing so, helped us to adopt a healthier skepticism towards paternal authority. For that, he deserves our gratitude.

Parker seems to suggest that substance and style are mutually exclusive, as if flair and grace are evidence of a reduced IQ. Of course, she casts “substance” as masculine, with the unwritten but unavoidable implication that “style” is feminine, lightweight, and unserious. Shorter Parker: “I miss my Daddy and my Mommy spent too much time shopping, so I wish I could find more men like my Papa, except that they’re now all shopping too. I feel unsafe.” But there was nothing particularly safe or virtuous about the rigid straitjacket of 1950s gender roles. Men were robbed of the chance not only to wear color, but of the chance to be vulnerable and open, complex and complete. Women were robbed of the chance to be ambitious, intellectually curious, and economically independent. We were half-people

What Parker and her ilk celebrate as a world of certainty, comfort, predictability and roles in harmony with “nature” was, for far more people than we realize, a world of spirit-crushing conformity and cruel repression. The end of the so-called “happy days” is to be celebrated rather than lamented, and to the extent that avuncular Walter Cronkite played a part in bringing those days to an end, he is to be honored as well.